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Text for students of English as a second language.

• Amazon Sales Rank: #3198688 in Books
• Published on: 1986-02-01
• Format: Facsimile
• Original language: English
• Number of items: 1
• Dimensions: 10.94" h x .52" w x 8.66" l, 1.28 pounds
• Binding: Paperback
• 452 pages

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Review

"The fun really only begins once you know the rules and this book lays them out in the clearest way possible" - Benjamin Samama (Topline Writer, Berklee Teacher)"Today's biggest bands and artists all have something in common and Friedemann unravels this secret in his own fascinating way. He combines storytelling in movies with lyric writing and song build. The analysing goes deep and the tools are useful and inspiring. Highly recommended" - Erwin Steijlen (Pink, Shakira)"Forget yesterday's songwriting and all idols you're trying to imitate. This book describes a new, up & coming, not yet conceivable, maybe not even born generation of songwriters" - Marc David (Artist)"This book reveals the secrets to hit songwriting in a logical and unique way. While most books give you rules that can always be broken, this book goes for the root of the problem and shows you how to write songs on the highest level. This is the new way of encoding hit songwriting"- Jobassa (Performing Artist)"Fresh and easy-to-read. Mr. Findeisen makes his case not by rehashing (often) "dry" theory, but by providing clear visual and linguistic examples that speak most effectively to 21st Century songwriters (along with plenty of references to recent hit songs)"- Tom Salisbury (Grammy-Award Winning Arranger)

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For more on songwriting, check out facebook.com/holisticsongwriting

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Product details

Series: Holistic Songwriting (Book 1)

Paperback: 228 pages

Publisher: Albino Publishing; 1 edition (October 25, 2015)

Language: English

ISBN-10: 9082391309

ISBN-13: 978-9082391305

Product Dimensions:

6 x 0.5 x 9 inches

Shipping Weight: 10.6 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

50 customer reviews

Amazon Best Sellers Rank:

#279,354 in Books (See Top 100 in Books)

I have stayed up late several nights in a row reading this book and do not regret it. I have been working on arranging a new original song for a while now and this book has given me a lot of great ideas that I can't wait to put into practice. It has also given me insight into why my favorite songs are so catchy. Pretty much all of my favorite songs are applying the principles in this book. To be clear, even though there is a decent amount of pop song references, a lot of the rock,alternative, and metal songs have elements of the formula. Some of the ideas are intuitive to me, but I still think there is some value in consciously acknowledging the ideas and metaphorically adding them to your "toolbox" so that you can remember these techniques long after you've read the book. Definitely worth $10 if my songs turn out even slightly better than they would have had I not read this book! The automation ideas alone are worth 10 bucks... Now I just have figure out how to do some of that stuff in my DAW.

In an era of the home studio, where the role of the songwriter has expanded to vocalist, instrumentalist, recording engineer, producer, mixer, mastering engineer (I'm using the "term" engineer loosely, for those out there who have specialized in the field), and publicist, Friedemann Findeisen takes a fresh approach that treats music production (essentially, music composition in the pop music genre) as essential to this process. I found Findeisen's experience to match very well with my own, but as a Music Composition major in college, I love fleshing out the vision of my songs through music production. Findeisen lays out a path for developing musical intensity to create an emotional map for a song, with excellent graphs for every instrument, like using a brassier timbre in the vocals, moving from fingers to pick for the guitar, or expanding to include extreme lows and highs in the keys. I read through the book in under a week, and I'm not fond of reading books. This was a captivating and highly valuable read for me as a developing singer-songwriter and music producer. If you're not invested in the entire process from song idea to mastering and publication (with the greatest emphasis on production), this book might not be for you. If your a home studio kind of guy/gal with a burning desire to do it all, then pick this one up. I loved it. And yes, English isn't Findeisen's first language. There were some times in which that was apparent, but those times were fairly endearing. His command of the english language (or lack thereof) does not take away from this book one bit. He really knows his stuff.

Thanks for the book. This information is a refresher and a living guide for future productions.I recommend reading it for the sake of having a +1 knowledge. I appreciated the way Friedman tried to explain all the concepts.One suggestion only: formatting.It is good for a paperback, but not for Kindle.Plus Kindle has now the infinite scroll option - maybe a useful thing for a second version of the book? :)

Presents a workable metadata framework for creating interest in musical structures. The work summarizes cause and effect but it struggles to maintain consistency. There are several strong contradictions throughout the material (eg: initially stating energy curves are relative and show no reference to dynamics— while then stating in a later chapter that energy curves show a deep linkage to dynamics). Close reading will uncover these inconsistencies— with the risk of confusing someone without grounding in theory.Overall, the author and reader would have been better served by more rigorous proofreading. The departure from standard music terminology places the reader on something of an island which just adds unnecessary additional layers to comprehension. While this book is not a formal summary of theory— an editor grounded in theory would have spotted some of these issues and driven to a better conclusion for the reader.The sum total here is the author does a workable job at presenting an encapsulation of many useful techniques while struggling somewhat to maintain focus and consistency. This is clouded by the informal presentation and in some ways arbitrary use of new terminology.The keen reader would be well advised to extract the useful points into learnings they can port into their own compositions. In short, don’t take the issues too seriously. Reading between the lines and reformatting these learnings into your own conceptual framework will probably generate the best results.

Its a good book. However, here are my critques:1. The typos are very known in this book. Not that I'm a grammer nazi, but things like "tachnique" and other words were misspelled. I get he's german so Ich verstehe. Although I can't complain since I always mispell words or forget my punctuation.2. A big chunk of the book was pretty much fluff in my opinion.3. Some things you have to look up yourself because he didn't give enough information on some of the words he ment. For example, he said that everyone knows & even his dentist knows, what groove and rhythm is. I sorta know what rhythm is, but I do not know what's the difference between groove and rhythm was. So it's like whaatt?4. It would be nice to have a cd with some clips of the music that he is referring to on the bottom. However, I didn't mark any stars off of that simply because I don't know what the regualtions are to copy parts of some music for education purposes. It's probably a lawsuit waiting to happen so, I won't count that against him.Overall a good book to read :)

Friedemann Findeisen is a great teacher, and a very generous one.In a light hearted way, he gives you BIG value knowledge.Not only in this book, but in his blog, youtube, courses, etc.Gratitude!

Totally lacking in anything but a few very basic concepts. Not even really about songwriting. I wasn't necessarily looking for a "secret formula," but this is certainly not it. The free content that he offers elsewhere is decent, but I felt almost scammed by this book. Wish I could get my money (and time) back.

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UCSMP Geometry (University of Chicago School Mathematics Project) Second Edition copyright 2002 hardcover student textbook.

• Sales Rank: #927425 in Books
• Published on: 2002-04
• Original language: English
• Number of items: 1
• Dimensions: 10.50" h x 8.25" w x 1.50" l, 4.25 pounds
• Binding: Hardcover
• 928 pages

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Photographs by W. Eugene Smith
Illustrated biography by Ben Maddow
Afterword by John G. Morris

Let Truth Be The Prejudice documents the life and work of W. Eugene Smith, a man whose work expanded the range and depth of photography, bringing new aesthetic and moral power to the photo essay. Smith was born in 1918 in Wichita, Kansas, and raised according to traditional American values, believing in the nobility of America and the injustice of war. He began taking pictures with his mother's camera while still a boy and continued this practice throughout his schooling. In 1937 his burning ambition took him to New York City, where his rise as a professional photographer was meteoric.

Before he was twenty-one, Smith had placed hundreds of photographs in the major picture magazines of the time. Dramatic composition, a hard-edged brilliance, and a mastery of lighting were evident even in this early work. But the moment of true ground-breaking would occur during World War II. It was when Smith went ashore with the Marines at Saipan, Guam, and Iwo Jima that his work and his sense of moral responsibility came together. He wrote: "Each time I pressed the shutter release it was a shouted condemnation hurled with the hope that they might echo through the minds of men in the future-- causing them caution and remembrance and realization." Breaking from the concerns of the mass media, his personal priorities were born. Smith's war photographs earned him repeated and justified comparisons to Mathew Brady. His coverage of American prisoner-of-war camps helped convince the Japanese that their fears were exaggerated, and stopped the suicide of thousands of terrified citizens upon the advance of American troops. This would not be the last time that Smith's work would change as well as document history.

After the war, Smith became a staff photographer at Life magazine, where he created many of his most famous photographs. The essays "Country Doctor" and "Nurse Midwife" influenced an entire generation. Smith moved from mine villages in Great Britain to Albert Schweitzer in French Equatorial Africa to a sweeping study of Spanish village life. At a meeting of the Ku Klux Klan he created haunting images of hatred, fear, and bigotry, which beautifully counterpoint the humanity of his great Life0 essays. Smith also showed his skill at portraiture, shooting many of the luminaries of the time.

His frustrations with commercial publishing finally led to a split with Life magazine in 1954, a true case of "artistic differences." He devoted his remaining twenty-four years to independent projects. It was a period of intense personal suffering and poverty. During these years he pushed one project, "Pittsburgh," virtually to the breaking point and along the way created photography's greatest urban landscape.

His last great essay, "Minamata," depicted both the human suffering caused by mercury poisoning in a Japanese industrial port, and helped put an end to that pollution. A severe beating by factory thugs aggravated his already failing health and on October 15, 1978, he died. Over the span of forty driven years, Smith dreamed on an epic scale and his accomplishments were heroic. He once wrote: "Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold."

Here is the definitive work on Smith's life and work, containing his major photo-essays, the portrait work, and spanning his brilliant career from his days aboard an aircraft carrier, through the breadth of Pittsburgh, to the human suffering explicit in his last great essay in Minamata. All these images have been painstakingly reproduced to insure the greatest quality in testament to Smith's genius.

Moral passion and photographic truth were inseparable to Gene Smith. He pursued both and the measure of his greatness is that he compromised neither. His achievements were realized at no small cost to himself and those around him. In the accompanying biography, "The Wounded Angel," author Ben Maddow takes the measure of the man and looks unflinchingly at the muses and demons that drove W. Eugene Smith to the fulfillment of his dream of greatness. Maddow's biography is the first published in-depth portrayal of Gene Smith's life. It is a dramatic saga made all the more vivid by Maddow's commitment to the facts and his subject.

• Sales Rank: #1222754 in Books
• Brand: Brand: Aperture
• Published on: 1998-10-15
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: .92" h x 10.38" w x 13.32" l, 1.10 pounds
• Binding: Hardcover
• 240 pages

• Used Book in Good Condition

From Library Journal
This survey of Smith's work is a particularly fine one, in terms of the reproduction quality, choice, and layout of images. The juxtaposition of picture groups seems to parallel the emotional upheavals and periods of calm in his life: World War II, rural America, Ku Klux Klan, Spain and Africa (Albert Schweitzer), the mammoth Pittsburgh project, gentle views from his Manhattan window, jazz artists, an unpublished Haiti essay, Japan (Minamata). The pictures (accompanied by lengthy quotations from Smith) speak eloquently of his vision, mission, and craftsmanship. Unfortunately, Maddow's essay adds far more than we need to know about Smith's personal relationships, by way of a tiresome pastiche taken from the thousands of documents at the Center for Creative Photography. (Maddow performed this same service in Edward Weston: fifty years ). The accompanying bibliography of photo essays and writings by and about Smith is very useful. Kathleen Collins, Library of Congress
Copyright 1986 Reed Business Information, Inc.

Review
"In Eugene Smith's work the world found an important aspect of America-- its longstanding moral passion. He hungered after that conclusive, suggestive moment of visual truth; he sought through pictures a précis of one then another aspect of our humanity. And he succeeded in that search-- giving us in sum a broad and deep rendering of this life's thickly textured particulars. We are much indebted to him."--Robert Coles, author of Dorothea Lange: Photographs of a Lifetime

"Gene Smith is reviewed today as a shining knight of light. He explored photography's power to project human drama and emotion. He succeeded in raising our level of conscience and he himself perished too soon, paying the price."--Cornell Capa, Director, International Center of Photography

"Gene Smith was perhaps the photographer who tried most heroically to make the magazine photo story lead the standards of coherence, intensity, and personal accountability that one expects of a work of art."--John Szarkowski, Director, Department of Photography, Museum of Modern Art

About the Author
Ben Maddow is a prize-winning poet and short-story writer, an essayist and critic of photography. During his career, he has been a film director and producer, painter and photocollagist, and the author of some twenty screenplays including the classic Asphalt Jungle (with John Huston) and Intruder in the Dust. He has written several novels as well as the award-winning biography Edward Weston, Fifty Years.

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Free PDF The Whole-Brain Child: 12 Revolutionary Strategies to Nurture Your Child's Developing Mind, Survive Everyday Parenting Struggles, and Help Your Family Thrive

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Product details

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Audible Audiobook

Listening Length: 6 hours and 16 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Brilliance Audio

Audible.com Release Date: March 15, 2012

Whispersync for Voice: Ready

Language: English, English

ASIN: B007N4PFG0

Amazon Best Sellers Rank:

Being that I was experiencing a particularly difficult time in my child's life (or in mine, depending on your perspective) - the so-called terrible twos - I was hoping that this book might have some magic answers. It doesn't. It basically covers the same ground as other parenting books, a combination of, say, Lise Eliot, and the Happiest Toddler on the Block. The suggestions are hard to implement, as acknowledged by the author, when you have been so pushed to the edge by sleeplessness and tantrums so as to have become a toddler yourself.What I did like about the book were the cartoons and pictures, and the fact that it covers all ages and stages, so I can see myself returning to it. However, the techniques were spread across all ages all the time, so it was harder to focus in on what might be appropriate for me and my child at this very moment.Overall, I like the general ideas/principles behind the book, but I'm not sure that it stands out in the field of parenting books based on similar research.

This book is part of the "Brain Balance" predatory pop neuroscience being marketed to overwhelmed parents of challenging children. It was recommended by a child behavioral psychologist who told me she recommends it to all parents, and I'm disappointed that she thinks this book could ever be helpful. I hoped that, after the introduction, there would be practical advice that worked, even if the fake science used to describe it was bunk. Unfortunately not the case. If you wade through the (uncited) fake science, the unprofessional, awkward cartoon illustrations, and the little vignettes of parenting challenges (which are described but unsresolved), you get . . . nothing. This is a slick package without a product inside.I'm also a desperate parent, looking for a lifeline. There's no lifeline here; just lies: page after page of line drawings showing hands and houses to illustrate the crock ideas of "upstairs and downstairs brains" and "left brains and right brains." It's fine to discuss and classify human behaviors and interests using the left/right concept as a metaphor, but don't sell us a miracle cure for a problem that isn't real. Brain "de-integration" is not the cause of challenging childhood behaviors, and while it's nice to think that we could buy a book that fixes our children's brains, it's not that easy.You want the entirety of the book's advice?-When your kid is on the verge of a tantrum, don't try to shut them down with a rational explanation of why they shouldn't be throwing a tantrum. Let them have their feelings, and work from thereThat's it. The entire book. More helpful books that start with that tidbit and give evidence-based advice are Ross Greene's "The Explosive Child," Jim and Charles Fay's "Love and Logic Magic for Early Childhood," and Alan E. Kazdin's "The Kazdin Method for Parenting the Defiant Child." None of which have worked a miracle in my child's behavior, but they have each, in their own way, helped me to adjust my parenting and lower my stress level as we progress through our new normal. "The Whole-Brain Child" is marketed to the same audience, but has nothing to offer.

So important! I have 6 kids and am assistant director at a Daycare and this is INVALUABLE! Understanding how the brain works from a psychology standpoint in a way that helps anyone to get it is so great. I got the audible version, the hard copy and the workbook and am putting the material together to teach the teachers at our center along with Parent Effectiveness Training and The how to talk series. This is a life changer and It has given me some tools to help some autistic kids in our center as well as understand myself and other adults I know!

I think overall this is a good book, however most of the information (at least for me) was common sense/ information I was already aware of. I was a little disappointed, I would recommend this book if you have never been around children/ totally new to dealing with kids otherwise I think there are better options out there.

This is such an eye-opening book that explains why children act the way that they do, and what is going on in their brains during the process. I have printed out the helpful "Refridgerator sheet" at the end of the book and hung it on my fridge. We view it often to remind ourselves of the most healthy ways to handle and guide our 2-year-old. As a parent who refuses to spank as a form of discipline, this gives me so many other safe, and healthy alternatives. Also, and most importantly, this helps me to understand how her brain works, and why she acts a certain way, or why she is unable to act in other ways. I believe that if I stick to the advice and practices in this book, that my daughter and I will have a stronger and healthier relationship.

Seriously love this book. My daughter is 16 months old and there was a lot of very usually information for a child her age. I wish I had read this when she was first born in order to anticipate changes in her behavior and how to handle them rather than waiting until we realized we had a child that actually needed a little more than food and sleep and cuddles and diaper changes. I can see this being a useful book to revisit every few years as she grows. I learned some about myself and my husband while reading this as well. Very accessible and well written, really can't recommend it enough.

I am still reading the book however I thought i’d write a review since it could be useful for other parents. The book is very easy to read and understand a concepts, I love that it gives real life examples and solutions on how to approach your kids, as a parent of 3 I could relate to quite a few stories in the book. I am happy with the purchase and can’t wait to finish the book and apply the concepts in real life.

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SCARED! How to Draw Fantastic Horror Comic Characters is a response to the rise in interest in the horror genre in film, comics, and graphic novels. Readers are given a brief history of horror comics-like EC, Vertigo, and DC Comics-and the influence of legendary horror genre artist Bernie Wrightson, before all manner of horror creatures are unleashed. In-depth step-by-step instructions are provided for drawing such horror subgenres as Bring on the Monsters (werewolves, wolfman, and teenage werewolf); Love at First Bite (vampires, vampire bats, and vampire slayers); Up From the Depths (killer sharks, piranhas, and the swamp and its inhabitants); and Some Things Are Best Left Buried (the crypt, the mummy, and the ancient curse).

• Sales Rank: #1229743 in Books
• Published on: 2004-11-01
• Released on: 2004-11-01
• Original language: English
• Number of items: 1
• Dimensions: 10.84" h x .43" w x 8.53" l, 1.25 pounds
• Binding: Paperback
• 144 pages

From Booklist
Gr. 9-12. Scared! begins with a brief history of horror comics (mostly in the U.S.), profiles of some popular illustrators, useful tips on drawing for the genre (creating "creepy characters," for example), and advice on references and resources. The bulk of the book is dedicated to straightforward how-to, with illustrations for a gallery of ghouls showing each character broken down into basic shapes. The approach is especially suited to YA artists just developing an interest in how comics are drawn. Coloring and Lettering is an extensive look at what an artist needs to know about these subjects in order to become a professional in the comics industry--from fundamental principles of color and using computers to tools and skills needed to create a variety of styles of lettering. The book also lends insight into how and why coloring and lettering in comics have changed through the history of the industry. This is a great resource for YAs seriously interested in graphic storytelling; it will also find an appreciative audience among adults. Tina Coleman
Copyright © American Library Association. All rights reserved

About the Author
Steve Miller is the author of Freaks! How to Draw Fantastic Fantasy Creatures; Hi-Yah! How to Draw Fantastic Martial Arts Comics; Gung-Ho! How to Draw Fantastic Military Comics: and several other drawing titles. He lives in Canal Winchester, Ohio.

Bryan Baugh is the co-author of Scared! How to Draw Fantastic Horror Comic Characters and the author of Zap! How to Draw Fantastic Sci-Fi Comics. He is also the author of Swords and Sorcery. He has supplied storyboards for animated productions featuring Batman, Jackie Chan, and the Masters of the Universe. He lives in Thousand Oaks, CA.

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As Alexandra searches for answers, she learns how quickly friends can become enemies. A world she tried so hard to leave now calls her back, starting her on a journey that will change her life forever, again. The Magi are stronger than ever, but as Alex soon discovers, help can come from the most unexpected of places.

• Sales Rank: #306338 in eBooks
• Published on: 2015-12-05
• Released on: 2015-12-05
• Format: Kindle eBook

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