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Fear, anger, and negativity are states that each of us have to contend with. Machik's Complete Explanation, the most famous book of the teachings of Machik Lapdrön, the great female saint and yogini of eleventh- to twelfth-century Tibet, addresses these issues in a practical, direct way.

Machik developed a system, the Mahamudra Chöd, that takes the Buddha's teachings as a basis and applies them to the immediate experiences of negative mind states and malignant forces. Her unique feminine approach is to invoke and nurture the very "demons" that we fear and hate, transforming those reactive emotions into love. It is the tantric version of developing compassion and fearlessness, a radical method of cutting through ego-fixation.

This expanded edition includes Machik Lapdrön's earliest known teaching, the original source text for the tradition, The Great Bundle of Precepts on Severance (Chöd). This pithy set of instructions reveals that the teachings of the perfection of wisdom are the true inspiration for Chöd. It is beautifully clarified in a short commentary by Rangjung Dorje, the Third Karmapa.

• Sales Rank: #565991 in eBooks
• Published on: 2013-06-25
• Released on: 2013-06-25
• Format: Kindle eBook

Review
"Sarah Harding's masterful translation is a real gift to students of Chöd and this extraordinary woman teacher. It provides much new material, including intimate question-and-answer sessions between Machik and her disciples. The translation has such a fresh, living quality, you almost feel you are receiving teachings directly from Machik Labdron herself."—Tsultrim Allione, author of Women of Wisdom and founder of the Tara Mandala Retreat Center

"In this remarkable work, Sarah Harding has combined her well-honed translation skills with her own practice experience to give us the most complete, detailed, lucid, and well-contextualized study to date of the meaning and practice of Machik's Chöd."—Jan Willis, author of Dreaming Me

"An important contribution to an understanding of Tibet's most innovative female saint, revealing her vast diversity of teachings that place Chöd squarely in the mainstream of tantric Buddhist meditation. Harding's translation deftly reveals new and rare biographical, anatomical, philosophic, and meditative lore essential to understanding the tradition as a whole."—Judith Simmer-Brown, professor at Naropa University and author of Dakini's Warm Breath

"Sarah Harding's magnificent translation of this key work of Machik Labkyi Dronma, Tibet's most famous yogini, opens up for Western practitioners the startling world of Chöd practice: severing the devil of ego-fixation. This meditation manual explains how the rich symbology of tantric yoga can be used in a disturbingly effective way to transform one's life."—Stephen Batchelor, author of Buddhism without Beliefs

"It is a very welcome addition to the literature on Tibetan Buddhism in Western languages, opening up the inner world of a fascinating and significant mode of spiritual practice in a way that is respectful, humorous, and true to the tradition it presents."—The Middle Way


"To experienced practitioners, the Tsadra Foundation Series is more precious than gold dust."—Tricycle

From the Inside Flap
Fear, anger, and negativity are states that eqch of us have to contend with. Machik's Complete Explanation, the most famous book of the teachings of Machik Labdron, the great female sain and yogini of the 11th-12th century Tibet, addresses these issues in a practical, direct way. This valuable text is now finally translated in its entirety into English. Machik developed a system, the Mahamudra Chod, that takes the Buddha's teachings as a basis and applies them to the immediate experimences of negative mind states and malignant forces. Her unique feminine approach is to invoke and nurture the very "demons" that we fear and hate, transforming those reactive emotions into love. It is the tantric version of developing compassion and fearlessness, a radical method of cutting through ego-fixation.

About the Author
Sarah Harding has been a Tibetan Buddhist translator and practitioner since 1974. She became a student of the late master Kalu Rinpoche, and in 1980, she completed the traditional three-year retreat under his guidance. Since then, she has been a teacher and translator. Her publications include Machik's Complete Explanation, The Treasury of Knowledge: Book Eight, and The Life and Revelations of Pema Lingpa. She is a fellow at the Tsadra Foundation and has been on the faculty of Naropa University for nearly twenty years.

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• Sales Rank: #877713 in Books
• Published on: 1984-08-22
• Released on: 1984-08-22
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x .82" w x 5.50" l, .80 pounds
• Binding: Paperback
• 288 pages

Review

"A curious mixture of humor and Hoosier horror stories as it relates to Hoosier folk tales." ―Bloomington Herald-Telephone

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Cultures of decolonisation combines studies of visual, literary and material cultures in order to explore the complexities of the 'end of empire' as a process. Where other accounts focus on high politics and constitutional reform, this volume reveals the diverse ways in which cultures contributed to wider political, economic and social change.

This book demonstrates the transnational character of decolonisation, thereby illustrating the value of comparison - between different cultural forms and diverse places - in understanding the nature of this wide-reaching geopolitical change. Individual chapters focus on architecture, theatre, museums, heritage sites, fine art and interior design, alongside institutions such as artists' groups, language agencies and the Royal Mint, across Africa, Asia, the Caribbean and Europe. Offering a range of disciplinary perspectives, these contributions provide revealing case studies for those researching decolonisation across the humanities and social sciences.

• Sales Rank: #8628532 in Books
• Published on: 2016-02-01
• Original language: English
• Number of items: 1
• Dimensions: 6.40" h x 1.00" w x 9.30" l, .0 pounds
• Binding: Hardcover
• 288 pages

About the Author

Ruth Craggs is a Lecturer in Cultural and Historical Geography at King's College, London

Claire Wintle is a Senior Lecturer in History of Art and Design at the University of Brighton

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• Amazon Sales Rank: #3198688 in Books
• Published on: 1986-02-01
• Format: Facsimile
• Original language: English
• Number of items: 1
• Dimensions: 10.94" h x .52" w x 8.66" l, 1.28 pounds
• Binding: Paperback
• 452 pages

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Review

"The fun really only begins once you know the rules and this book lays them out in the clearest way possible" - Benjamin Samama (Topline Writer, Berklee Teacher)"Today's biggest bands and artists all have something in common and Friedemann unravels this secret in his own fascinating way. He combines storytelling in movies with lyric writing and song build. The analysing goes deep and the tools are useful and inspiring. Highly recommended" - Erwin Steijlen (Pink, Shakira)"Forget yesterday's songwriting and all idols you're trying to imitate. This book describes a new, up & coming, not yet conceivable, maybe not even born generation of songwriters" - Marc David (Artist)"This book reveals the secrets to hit songwriting in a logical and unique way. While most books give you rules that can always be broken, this book goes for the root of the problem and shows you how to write songs on the highest level. This is the new way of encoding hit songwriting"- Jobassa (Performing Artist)"Fresh and easy-to-read. Mr. Findeisen makes his case not by rehashing (often) "dry" theory, but by providing clear visual and linguistic examples that speak most effectively to 21st Century songwriters (along with plenty of references to recent hit songs)"- Tom Salisbury (Grammy-Award Winning Arranger)

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From the Author

For more on songwriting, check out facebook.com/holisticsongwriting

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Product details

Series: Holistic Songwriting (Book 1)

Paperback: 228 pages

Publisher: Albino Publishing; 1 edition (October 25, 2015)

Language: English

ISBN-10: 9082391309

ISBN-13: 978-9082391305

Product Dimensions:

6 x 0.5 x 9 inches

Shipping Weight: 10.6 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

50 customer reviews

Amazon Best Sellers Rank:

#279,354 in Books (See Top 100 in Books)

I have stayed up late several nights in a row reading this book and do not regret it. I have been working on arranging a new original song for a while now and this book has given me a lot of great ideas that I can't wait to put into practice. It has also given me insight into why my favorite songs are so catchy. Pretty much all of my favorite songs are applying the principles in this book. To be clear, even though there is a decent amount of pop song references, a lot of the rock,alternative, and metal songs have elements of the formula. Some of the ideas are intuitive to me, but I still think there is some value in consciously acknowledging the ideas and metaphorically adding them to your "toolbox" so that you can remember these techniques long after you've read the book. Definitely worth $10 if my songs turn out even slightly better than they would have had I not read this book! The automation ideas alone are worth 10 bucks... Now I just have figure out how to do some of that stuff in my DAW.

In an era of the home studio, where the role of the songwriter has expanded to vocalist, instrumentalist, recording engineer, producer, mixer, mastering engineer (I'm using the "term" engineer loosely, for those out there who have specialized in the field), and publicist, Friedemann Findeisen takes a fresh approach that treats music production (essentially, music composition in the pop music genre) as essential to this process. I found Findeisen's experience to match very well with my own, but as a Music Composition major in college, I love fleshing out the vision of my songs through music production. Findeisen lays out a path for developing musical intensity to create an emotional map for a song, with excellent graphs for every instrument, like using a brassier timbre in the vocals, moving from fingers to pick for the guitar, or expanding to include extreme lows and highs in the keys. I read through the book in under a week, and I'm not fond of reading books. This was a captivating and highly valuable read for me as a developing singer-songwriter and music producer. If you're not invested in the entire process from song idea to mastering and publication (with the greatest emphasis on production), this book might not be for you. If your a home studio kind of guy/gal with a burning desire to do it all, then pick this one up. I loved it. And yes, English isn't Findeisen's first language. There were some times in which that was apparent, but those times were fairly endearing. His command of the english language (or lack thereof) does not take away from this book one bit. He really knows his stuff.

Thanks for the book. This information is a refresher and a living guide for future productions.I recommend reading it for the sake of having a +1 knowledge. I appreciated the way Friedman tried to explain all the concepts.One suggestion only: formatting.It is good for a paperback, but not for Kindle.Plus Kindle has now the infinite scroll option - maybe a useful thing for a second version of the book? :)

Presents a workable metadata framework for creating interest in musical structures. The work summarizes cause and effect but it struggles to maintain consistency. There are several strong contradictions throughout the material (eg: initially stating energy curves are relative and show no reference to dynamics— while then stating in a later chapter that energy curves show a deep linkage to dynamics). Close reading will uncover these inconsistencies— with the risk of confusing someone without grounding in theory.Overall, the author and reader would have been better served by more rigorous proofreading. The departure from standard music terminology places the reader on something of an island which just adds unnecessary additional layers to comprehension. While this book is not a formal summary of theory— an editor grounded in theory would have spotted some of these issues and driven to a better conclusion for the reader.The sum total here is the author does a workable job at presenting an encapsulation of many useful techniques while struggling somewhat to maintain focus and consistency. This is clouded by the informal presentation and in some ways arbitrary use of new terminology.The keen reader would be well advised to extract the useful points into learnings they can port into their own compositions. In short, don’t take the issues too seriously. Reading between the lines and reformatting these learnings into your own conceptual framework will probably generate the best results.

Its a good book. However, here are my critques:1. The typos are very known in this book. Not that I'm a grammer nazi, but things like "tachnique" and other words were misspelled. I get he's german so Ich verstehe. Although I can't complain since I always mispell words or forget my punctuation.2. A big chunk of the book was pretty much fluff in my opinion.3. Some things you have to look up yourself because he didn't give enough information on some of the words he ment. For example, he said that everyone knows & even his dentist knows, what groove and rhythm is. I sorta know what rhythm is, but I do not know what's the difference between groove and rhythm was. So it's like whaatt?4. It would be nice to have a cd with some clips of the music that he is referring to on the bottom. However, I didn't mark any stars off of that simply because I don't know what the regualtions are to copy parts of some music for education purposes. It's probably a lawsuit waiting to happen so, I won't count that against him.Overall a good book to read :)

Friedemann Findeisen is a great teacher, and a very generous one.In a light hearted way, he gives you BIG value knowledge.Not only in this book, but in his blog, youtube, courses, etc.Gratitude!

Totally lacking in anything but a few very basic concepts. Not even really about songwriting. I wasn't necessarily looking for a "secret formula," but this is certainly not it. The free content that he offers elsewhere is decent, but I felt almost scammed by this book. Wish I could get my money (and time) back.

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Download Ebook Geometry (University of Chicago School Mathematics Project)By Zalman Usiskin, Daniel Hirschhorn, Arthur Coxford

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UCSMP Geometry (University of Chicago School Mathematics Project) Second Edition copyright 2002 hardcover student textbook.

• Sales Rank: #927425 in Books
• Published on: 2002-04
• Original language: English
• Number of items: 1
• Dimensions: 10.50" h x 8.25" w x 1.50" l, 4.25 pounds
• Binding: Hardcover
• 928 pages

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Photographs by W. Eugene Smith
Illustrated biography by Ben Maddow
Afterword by John G. Morris

Let Truth Be The Prejudice documents the life and work of W. Eugene Smith, a man whose work expanded the range and depth of photography, bringing new aesthetic and moral power to the photo essay. Smith was born in 1918 in Wichita, Kansas, and raised according to traditional American values, believing in the nobility of America and the injustice of war. He began taking pictures with his mother's camera while still a boy and continued this practice throughout his schooling. In 1937 his burning ambition took him to New York City, where his rise as a professional photographer was meteoric.

Before he was twenty-one, Smith had placed hundreds of photographs in the major picture magazines of the time. Dramatic composition, a hard-edged brilliance, and a mastery of lighting were evident even in this early work. But the moment of true ground-breaking would occur during World War II. It was when Smith went ashore with the Marines at Saipan, Guam, and Iwo Jima that his work and his sense of moral responsibility came together. He wrote: "Each time I pressed the shutter release it was a shouted condemnation hurled with the hope that they might echo through the minds of men in the future-- causing them caution and remembrance and realization." Breaking from the concerns of the mass media, his personal priorities were born. Smith's war photographs earned him repeated and justified comparisons to Mathew Brady. His coverage of American prisoner-of-war camps helped convince the Japanese that their fears were exaggerated, and stopped the suicide of thousands of terrified citizens upon the advance of American troops. This would not be the last time that Smith's work would change as well as document history.

After the war, Smith became a staff photographer at Life magazine, where he created many of his most famous photographs. The essays "Country Doctor" and "Nurse Midwife" influenced an entire generation. Smith moved from mine villages in Great Britain to Albert Schweitzer in French Equatorial Africa to a sweeping study of Spanish village life. At a meeting of the Ku Klux Klan he created haunting images of hatred, fear, and bigotry, which beautifully counterpoint the humanity of his great Life0 essays. Smith also showed his skill at portraiture, shooting many of the luminaries of the time.

His frustrations with commercial publishing finally led to a split with Life magazine in 1954, a true case of "artistic differences." He devoted his remaining twenty-four years to independent projects. It was a period of intense personal suffering and poverty. During these years he pushed one project, "Pittsburgh," virtually to the breaking point and along the way created photography's greatest urban landscape.

His last great essay, "Minamata," depicted both the human suffering caused by mercury poisoning in a Japanese industrial port, and helped put an end to that pollution. A severe beating by factory thugs aggravated his already failing health and on October 15, 1978, he died. Over the span of forty driven years, Smith dreamed on an epic scale and his accomplishments were heroic. He once wrote: "Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold."

Here is the definitive work on Smith's life and work, containing his major photo-essays, the portrait work, and spanning his brilliant career from his days aboard an aircraft carrier, through the breadth of Pittsburgh, to the human suffering explicit in his last great essay in Minamata. All these images have been painstakingly reproduced to insure the greatest quality in testament to Smith's genius.

Moral passion and photographic truth were inseparable to Gene Smith. He pursued both and the measure of his greatness is that he compromised neither. His achievements were realized at no small cost to himself and those around him. In the accompanying biography, "The Wounded Angel," author Ben Maddow takes the measure of the man and looks unflinchingly at the muses and demons that drove W. Eugene Smith to the fulfillment of his dream of greatness. Maddow's biography is the first published in-depth portrayal of Gene Smith's life. It is a dramatic saga made all the more vivid by Maddow's commitment to the facts and his subject.

• Sales Rank: #1222754 in Books
• Brand: Brand: Aperture
• Published on: 1998-10-15
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: .92" h x 10.38" w x 13.32" l, 1.10 pounds
• Binding: Hardcover
• 240 pages

• Used Book in Good Condition

From Library Journal
This survey of Smith's work is a particularly fine one, in terms of the reproduction quality, choice, and layout of images. The juxtaposition of picture groups seems to parallel the emotional upheavals and periods of calm in his life: World War II, rural America, Ku Klux Klan, Spain and Africa (Albert Schweitzer), the mammoth Pittsburgh project, gentle views from his Manhattan window, jazz artists, an unpublished Haiti essay, Japan (Minamata). The pictures (accompanied by lengthy quotations from Smith) speak eloquently of his vision, mission, and craftsmanship. Unfortunately, Maddow's essay adds far more than we need to know about Smith's personal relationships, by way of a tiresome pastiche taken from the thousands of documents at the Center for Creative Photography. (Maddow performed this same service in Edward Weston: fifty years ). The accompanying bibliography of photo essays and writings by and about Smith is very useful. Kathleen Collins, Library of Congress
Copyright 1986 Reed Business Information, Inc.

Review
"In Eugene Smith's work the world found an important aspect of America-- its longstanding moral passion. He hungered after that conclusive, suggestive moment of visual truth; he sought through pictures a précis of one then another aspect of our humanity. And he succeeded in that search-- giving us in sum a broad and deep rendering of this life's thickly textured particulars. We are much indebted to him."--Robert Coles, author of Dorothea Lange: Photographs of a Lifetime

"Gene Smith is reviewed today as a shining knight of light. He explored photography's power to project human drama and emotion. He succeeded in raising our level of conscience and he himself perished too soon, paying the price."--Cornell Capa, Director, International Center of Photography

"Gene Smith was perhaps the photographer who tried most heroically to make the magazine photo story lead the standards of coherence, intensity, and personal accountability that one expects of a work of art."--John Szarkowski, Director, Department of Photography, Museum of Modern Art

About the Author
Ben Maddow is a prize-winning poet and short-story writer, an essayist and critic of photography. During his career, he has been a film director and producer, painter and photocollagist, and the author of some twenty screenplays including the classic Asphalt Jungle (with John Huston) and Intruder in the Dust. He has written several novels as well as the award-winning biography Edward Weston, Fifty Years.

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